Organized by Dia curator Yasmil Raymond in collaboration with the artist, the exhibition will be accompanied by a new work commissioned for the Dan Flavin Art Institute, in Bridgehampton, NY, and a major publication. A reception for Jean-Luc Moulène will be held at Dia:Beacon on Saturday, December 17, 2011, from 2–4 pm.
#1998 opus one series#
Opus + One unites two bodies of work: thirty-five objects from the ongoing series Opus (1995–present), and the monumental photographic essay La Vigie (2004–2011). It will also include a massive new sculpture, Body (2011) which was shown for the first time in the Tuileries Gardens, Paris, during FIAC in October of this year. The exhibition title derives from the Latin word Opus, which Moulène designates as the encompassing term for his three-dimensional work. The suffix, “ + One” comes from the notation of recurrence in mathematics, yet it also reflects Moulène’s interest in the idioms of advertising and capitalist tactics, as well as his conception of the viewer as a hypothetical consumer.ĭia’s exhibition advances its legacy of commissioning projects and exhibitions from midcareer artists that encourage significant explorations in new directions within the artist’s practice. It continues in the spirit of the program presented by Dia in New York City from 1987–2004, and projects by artists including: Robert Gober (1992–93) Katarina Fritsch (1993–94) Jessica Stockholder (1995–96) Thomas Schütte (1998–99) Rosemarie Trockel (2002–04) and Pierre Huyghe (2003–04), among others. It also follows the commissioning of major new works shown at Dia:Beacon by Vera Lutter (2005–06) An-My Lê (2006-08) Tacita Dean (2008) Zoe Leonard (2008–11) and Koo Jeong A (2010–11). Opus + One will be accompanied by a concurrent presentation of newly commissioned wall objects that will be shown in the Dan Flavin Art Institute’s special exhibition gallery.Ī major publication designed by Marc Touitou will be made in conjunction with Opus + One. A diverse group of authors will address specific subjects in Moulène’s work through fiction, nonfiction, and art historical texts. Turns out #OpusOne knows what it's doing.Jean-Luc Moulène in conversation with Yasmil Raymond Walk-through of Opus + One with Yasmil RaymondĪrtists on Artists Lecture at Dia:Chelsea Perspectives from the Curator at Dia:Beacon Writers include art historians Briony Fer and Thomas McDonough, author and curator Corinne Diserens, poet Manuel Joseph, author and artist Jalal Toufic, exhibition curator Yasmil Raymond, and Dia director Philippe Vergne. Okay enough is enough - this wine was the fucking bomb. Turns out #OpusOne knows what it's doing. Luscious tannins that balance out with a nice bit of minerality. Dark fruits but not overbearing or jammy. It starts off nice and round but shows off its depth with layers of flavors and structure with each second it lingers in your mouth. Maybe it wasn't decanted long enough? (Although I had the resto at the time decant as soon as I entered) either way, I decanted this bad boy for over an hour and boy did it open up. Had the same bottle a few years back and it was missing something. Had it with medium rare filet mignon and grilled lobster tail. This one has quite a few years of life left in it. He must have felt like the Cleveland Orchestra in Michael Jackson's Will You Be There (Free Willy Song). True, I may be biased, but after recently tasting the 19 vintages of Robert Mondavi's Napa Can, I can see how much RM benefitted from Rothschild's involvement in the 1998 Opus One. Mmmmmm.ĭrinking the 2 decade old product of the masterful collaboration of the new world (order's) master, Robert Mondavi, and the old world's (puppet) master, Baron Philippe Rothschild was a dream cum.
Drinking the 2 decade old product of the masterful collaboration of the new world (order's) master, Robert Mondavi, and the old world's (puppet) master, Baron Philippe Rothschild was a dream cum.
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